The beauty and safety of digital (when analog/film photography doesn’t quite go to plan)…

The beauty and safety of digital (when analog/film photography doesn’t quite go to plan)…

It can be a very exciting process, dropping your two rolls of film off to the local photo lab. Then waiting a whole 5 days, enhanced with much mystery and anticipation until picking up the processed film negatives and scanned images to then view.

Recently, I’ve attempted more abstraction photography, this time using as my subject, a stunning orchid. My attempt was using two different film cameras, and naturally distorting the lens at the time of image capture. By the end of the two mini photo shoots that day, one of the cameras didn’t seem to last the distance due to some technical camera issues. However, I thought their would be enough images captured on that particular film (my fingers were crossed).

It all gets interesting, when I go to pick up my negatives and scans, and the photo lab technician explains that both films turned out to be blank negatives. From this I guess I see the beauty in a simple failure, as well as a lesson that maybe valuable enough in itself. My lesson here was there was not enough natural light beaming into my studio for for this photo shoot, and secondly to take a closer look at reviews before purchasing camera products in the future.

Luckily, at the end of both mini photo shoots, I had taken some digital stills with my Olympus Tough digital camera. They are not perfect images by any means, but still quite interesting and close to what I am trying to capture on film. I have a great love for analog/film photography and hope to translate similar types of effects of this work, from digital to film, using an outside studio setup next time. This would mean that I would be one step closer (in my many steps over time) to coming out with a body of work that would have a great uniqueness.

If you want to see a little more abstract photography, just click here

Take it easy there everyone! Cheers, Victoria

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The latest (spring-time 2015) abstraction photography work….

Recently, I feel we have had a reasonable spring here in Christchurch, New Zealand. As usual, the blossom trees around the city play a great part in beautifying things up. This blossom season, I was armed and ready with a new, yet modified camera to try out and to capture my  photographic abstraction work. Using some very expired Kodak 400 35mm film, I was able to achieve the following results:

In my opinion, each image is somewhat unique with good colour tones. I would be very keen to try out 200 ISO film, as it will reduce the grainy feel of the image when printing out large. Only using 1 film in this process during early October, I had no idea how things would work out using this new camera and taking into account 5-day film processing as well. Also, blossom season was very short this year due to the heat of the weather in the region (as the blooms opened up and fell from this blossom tree very quickly, within days, compared to the usual week or two it normally takes).

Anyhow with a head full of ideas for my next stages, I can’t wait to dabble in more abstraction photography soon.

Thanks for tuning in!

The sweet, exciting, coincidence of film-negative distortion…

 

 These two pieces of fine art photography were taken about 12 weeks ago at the end of our New Zealand summer. In the past week, I have been adjusting these images in post-production.

In no such way, have I digitally manipulated the distortion effect in these images via post-production. The distortion effect has instead been created naturally, moments before film capture in the camera, where I have manipulated water in front of the lens (being an underwater camera of course).

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