The beauty and safety of digital (when analog/film photography doesn’t quite go to plan)…

The beauty and safety of digital (when analog/film photography doesn’t quite go to plan)…

It can be a very exciting process, dropping your two rolls of film off to the local photo lab. Then waiting a whole 5 days, enhanced with much mystery and anticipation until picking up the processed film negatives and scanned images to then view.

Recently, I’ve attempted more abstraction photography, this time using as my subject, a stunning orchid. My attempt was using two different film cameras, and naturally distorting the lens at the time of image capture. By the end of the two mini photo shoots that day, one of the cameras didn’t seem to last the distance due to some technical camera issues. However, I thought their would be enough images captured on that particular film (my fingers were crossed).

It all gets interesting, when I go to pick up my negatives and scans, and the photo lab technician explains that both films turned out to be blank negatives. From this I guess I see the beauty in a simple failure, as well as a lesson that maybe valuable enough in itself. My lesson here was there was not enough natural light beaming into my studio for for this photo shoot, and secondly to take a closer look at reviews before purchasing camera products in the future.

Luckily, at the end of both mini photo shoots, I had taken some digital stills with my Olympus Tough digital camera. They are not perfect images by any means, but still quite interesting and close to what I am trying to capture on film. I have a great love for analog/film photography and hope to translate similar types of effects of this work, from digital to film, using an outside studio setup next time. This would mean that I would be one step closer (in my many steps over time) to coming out with a body of work that would have a great uniqueness.

If you want to see a little more abstract photography, just click here

Take it easy there everyone! Cheers, Victoria

The early beginnings of my distortionary photography…

Well, its almost 6 years ago to date, when I first discovered my take on distortionary/abstract photography, all by chance, back in 2009. It was then, in my second year of art college, I began exploring my own chosen theme of underwater photography, when I tried some experimental techniques to see what would happen. Some worked, some didn’t, but it gave me a glimmer into another type of effect that seemed somewhat unique.

The following year,  I was able to explore this further both using both classic 35mm film and digital photography. It was one of my first rolls of 35mm film that I was able to achieve the effect of the image below, which became part of a series called ‘Untouched’, which was exhibited locally. The series title ‘Untouched’ was given to highlight that no digital manipulation or editing had occurred to create such an effect.

Interestingly enough to this day, the 35mm film negatives for this particular series still remain in an earthquake damaged building in the city centre of Christchurch. The image itself was taken of the re-modernised, restaurant called ‘Retour’ built within a (marching) Band Rotunda prior to being demolished from the 2011 earthquakes. I found it an extraordinary image at the time, and I still feel the same way, even today.

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Abstract photography using blossom trees, blended with hues….

Greetings everyone, hope you’re all well out there…

These photographic pieces are my latest experimental creations. Using 35mm film, I have used my own natural distortion technique at the time of image capture. As works in progress, these images are still yet to be sized and properly titled. However these are a wee sample of what is yet to come with this range of distortion work.

If you have a favourite image here, don’t be at all be shy and share your thoughts in the comments…

Lastly, to all my viewers and friends, have a wonderful and safe New Years, and wishing each and everyone of you, a great year ahead!

Look forward to seeing you all again, on here, in the new year.

My warmest wishes, Victoria

‘Multi-layed imaging’ – two individual styles of 2014…

At the beginning of this year, I began experimenting with overlapping layers into one picture. For this first image I used 4 images from the same stand-point photographed in a North, South, East and West positioning. Then in post-production, I over-lapped them to become a single image. It made for an interesting photograph and I discovered from a viewer’s standpoint that the longer I looked at this blended multi-layered image, the more the naked eye could slowly start distinguishing each of the scenes within the single photograph.

And recently in August,  I tried another style where I blended the same single image over and over. Using a digital photograph of a building just off the city’s square, I wanted to give some kind of link to the past earthquakes that this region has endued over the recent years, by giving a visual shaking effect. Both photographs are intriguing styles that I intend to explore further.

My chance at capturing this year’s blossoms, both digitally and film based…

Spring is in the air, here in  New Zealand, and what a fantastic chance it is capture some of the beauty around these parts.

Unfortunately for me, I have been battling chronic fatigue syndrome (CFS/M.E.) for the last 10 months. However, I am slowly progressing into better health as I have been managing to keep my spirits high and look for the little pleasures around me.

Magically, in the past several days, I have managed to shoot off 3 rolls of colour film using my natural-water-distortion-technique I devised a couple of years ago (check out my Water Distortion Photography and the June Archive for earlier examples). So hopefully there will be some exciting results when I get those films back from the Kodak Photo Lab…

In the meantime these images here are digital shots from my Canon EOS 7D, where I have used a large depth of field.

And one last thing for all those budding photographers out there… A beautiful quote to take away with you….

‘The only photographer you should ever compare yourself to, is the one you use to be”  -Unknown

Take care of yourselves everyone, and my warmest wishes, Victoria

The sweet, exciting, coincidence of film-negative distortion…

 

 These two pieces of fine art photography were taken about 12 weeks ago at the end of our New Zealand summer. In the past week, I have been adjusting these images in post-production.

In no such way, have I digitally manipulated the distortion effect in these images via post-production. The distortion effect has instead been created naturally, moments before film capture in the camera, where I have manipulated water in front of the lens (being an underwater camera of course).

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The hidden similarities of my own work, to the artist Uta Barth…

 

Today was a day of discovery. I was going through an old shoe box of old 35mm film negatives of underwater work. I had photographed these around 4 years ago when I was in Year 2, of a Fine Arts degree. In my opinion, these two particular photographs hold a close similarity to the work of Uta Barth, a German/American artist (b.1958). Its interesting how time alters our perception as these two images were dismissed by my artistic eyes at the time they were first sighted. However, I think these two little gems, amongst others I found today, have put more value and presence than one would first initially think. This type of work is something I would love to continue and explore further in the nearing future…

Take care everyone!

Cheers, Victoria